|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Advanced Forums | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
![]() |
|
Sheikh Chinna Moulana was one of the most prominent Nagaswaram players of the last centry.
Sheikh Chinna Moulana hailed from an illustrious music family whose ancestry goes back to Sheikh Nabi Sahib (18th Century) of Sattalur who had mastery of the nagaswara instrument. The coming generations took up the study of Sanskrit and Telugu in a big way apart from continuing the tradition of nagaswaram playing that has now come to be known as the Chilakaluripet parampara.
Sheikh Abdulla Sahib of Karavadi village who was an eminent student of this parampara was his grandfather. Sheikh Chinna Moula was born to Kasim Sahib, from whom he had his initial training and later from nagaswara vidwan Adam Sahib of Chilakalooripeta. To acquaint himself with the Tanjore style of playing, he had his training for a few years under Nachiarkoil brothers Rajan and Dorai Kannu.
Chinna Moulana had childhood admiration for T.N.Rajarathnam Pillai,and in later years he carried forward the TNR approach in a scintillating manner.
It was only in 1960 that Chinna Moula gave his first performance in Tamil Nadu which gave a flying start to his new career, which brought the original sketches of the Chilakaluripet School as strengthened by the laws and logic of the Thanjavur bani.
Chinna Moula's unflinching faith in Lord Ranganatha made him take up permanent residence in the pilgrim city of Srirangam, three decades ago and where he founded the Sarada Nagaswara Sangeeta Ashram ,thus, giving us several promising nagaswaram players of the younger generation. Among them Sheikh Abdulla, his own grandsons Babu, Pedda Kasim and Chinna Kasim, Mahaboob Subani and Kalishabi Mahaboob readily come to mind.
Dr. Chinna Moulana played with a lot of gusto. He has enthralled large audiences with his imaginative, unsurpassing alapana and kriti renderings.
| Title | Nature | Music / recording | Contents | Label | Other Artists | Year |
| Celestial Nadhaswaram Recitals | Carnatic Instrumental | Gowla, Natakuranji, Hamsanadham, Jayantasena, Shankarabharanam, Sudha Dhanyasi, Sindhu Bhairavi, Yamuna Kalyan | Super Audio | Additional Nadhaswaram: S. Kasim / Thalam: G. Nagarajan | ||
| Mellifluous Nadhaswaram Recital | Carnatic Instrumental | Nattai, Janaranjani, Nalinikanthi, Hindolam, Kambhoji, Yamuna Kalyani, Jaunpuri, Kapi | Super Audio | Additional Nadhaswaram: S. Kasim; Thavil: S. Subramanian | ||
| Musical Heralds From S India -Nadaswaram | Carnatic Instrumental | Dhudukula Gala, Anandasagara, Improvision of Alap, Bhajan in Salaga Bhairavi | Wergo | 1991 | ||
| Nadaswara Samrat | Carnatic Instrumental | Kedaram, Hemavathi, Neelambari, Kambhoji, Purvi Kalyani, Kapi, Sindhu Bhairavi | T Series | Sheik Kasim, Nadaswaram Support; S Subramaniam & M Rajendran, Thavil | ||
| Nadaswaram | Carnatic Instrumental | Ragas: Karnataka Kapi, Saranga, Yadukula Kamboji, Chamaram, Surati | EMI India | Additional Nadaswaram: S. Kasim / Thavil: K A T Swaminathan & S. Subramaniam | ||
| Nadaswaram | Carnatic Instrumental | Geethanjali | ||||
| Nadaswaram | Carnatic Instrumental | Arabhi, Neelambari, Kambhoji, Kedara Gowla, Rudrapriya, Kavadi Chindu, Dhanashri. | EMI India | |||
| Nadaswaram | Carnatic Instrumental | Gowla, Sudha Bangala, Saraswati, Garudadhawani, Anandabhairavi, Anandavarshini, Hindolam, Yamuna Kalyani, Manirangu | EMI India | |||
| Nadhaswaram - Music of South India | Carnatic Instrumental | Gambeera Nattai, Sri, Kambhoji, Dwijavanti, Ragamalika, Kanada, Hamsanandi | Super Audio | Additional Nadhaswaram: S. Kasim; Thavil: S. Subramanian | ||
| The Sound of Nadhaswaram | Carnatic Instrumental | Atana, Kannada, Kamaas, Vasantha, Harikamboji, Neelaambari, Navarasa Kanada, Bowli | Pyramid | S Kasim, Nadaswaram; S Sumramanian, Thavil | ||
| Woodwind Melodies | Carnatic Instrumental | Sri Ganapathi-Sourashtram, Theratheeyaga-Gowlipanthu, Marivere Gathi-Anandabhairavi, Jayajaya Padmanabha-Manirangu, Bhaja Re Manasa-Abheri, Sevikkavendumaya-Andolika, Enna Thavam-Khamas, Vande Vasudev | Koel |
| Musical Nirvana . com | Top | Last Updated on 01-Aug-2000 |